Are you a collector? Do you willy-nilly collect every piece of your favorite actor’s work without pausing to check if the piece is worth the collecting? Are you also an optimist? A movie title such as “Haunters” should stop you in your tracks since you shun anything remotely suggestive of horror, but now you pick up the DVD with an ear-to-ear grin, sure in your newly acquired bravado. Ghostly movie or not, I shall watch this just for you, Kang Dong-won!
Alas. At the one-hour mark I begin what the lizards in my room call The Thundie Wiggle. I stretch, I scrutinize the ceiling for cobwebs, I slap my face in four places.
What is this madness? It’s almost the eve of February and here I am with another year-end review, right? Nah, let’s just call this a ‘collective film review’.
What a great year for Chungmuro! Bravo! It was filled with so many delights. I found myself striking gold subsequently with each flick that I casually picked. Even from those I least expected to deliver. Though to varying degrees, some were more magical than others, but of the ten I watched I was dissatisfied with absolutely none — which is quite amazing. Considering I’ve suffered for a handful of years now where the couple of films I did watch left a LOT to be desired. And what was with theseposters, man? Coincidentally poor Kim Sae-ron was getting herself kidnapped in every single one of those (though I never watched them, so pardon the inaccuracies). But I digress.
Not to fret, I took a crash-course in how to write reviews sans spoilers, so go ahead and read. I might sound redundant and vague as a consequence of being spoiler-free though (aha, that sounds like a good excuse for sloppy writing!).
Why am I late with my 2011 reviews? You may be asking yourself this question, and I have the answer: 2011 just ended about 72 hours ago, depending on your locale, and I refuse to compare and contrast dramas that are not complete yet. I also had to take a little bit of time to think things over and ring in the New Year. All of that is now done, and here are my reviews for 2011.
2011 has made me ponder my relationship with K-drama. Why do I spend so much time watching? Why do I expend so much energy writing about it?
I’m in a contemplative mood at the end of 2011. Not because it has been a great year in k-drama for me, but because it’s been the worst year since I started watching in 2008. This is probably due to my taste shifting and my becoming somewhat more demanding of my k-dramas, but perhaps it’s also the case that 2011 really hasn’t been a vintage year. It was not altogether hopeless; there were enough wins to keep me from abandoning k-drama altogether. But it seems beyond doubt that for me the flush of k-drama first love, when anything might be forgiven, is long over.